kateburck:
The logistical, compositional and color issues of a shot set against a portrait wall is only now dawning on me. What. How does I color.
The mysterious origins of Newman.
What was I thinking when I thought I should have a shot of a family portrait wall?
Not about the 22 individual characters I’d have to paint, clearly.
Yeah I’ve got no idea what’s going on here.
But it sure seems dramatic.
kateburck:
Slowly chipping away at the reference book for Newman. Slowly. Because the heat keeps beating me and forcing me to retreat to the basement.
More lady studies. I really like drawing these ladies. To bad they’re barely in the film.
I don’t think this is exactly clear in my art so far, but my thesis film is seriously about hats. Hats. Very. Serious. Matter. In. This. Film.
My god there are so many great hats in the world. There’s still more I’m drawing that I didn’t fit on here.
Fedoras still suck to draw though.
